It would be no surprise to anyone that I am a big fan of Kung Fu movies. When I was growing up, films like Enter the Dragon, Mortal Kombat, and Crouching Tiger Hidden Dragon always served as an infinite well of inspiration to me. However, as I have learned more and more about the art of fighting, I can’t help but notice several common things the movies do that are just plain silly. So, I felt I would keep thing’s light today by pointing out the five silly things that movies get wrong about fighting.
The Bad Guys Waiting Their Turn
One of the most exciting moments in a lot of action movies is when the protagonist has to fight off several opponents at once. It always serves as a phenomenal way to illustrate that our hero is an unstoppable badass. However, have you ever looked at all the fighters in the background during these scenes? They just kind of stand there striking Kung Fu poses waiting for their turn to jump in. There are several movies that come to mind. For example, in Fist of Fury, Bruce Lee has a big fight at the Japanese school. He absolutely destroys all the fighters in the dojo. However, if you watch all the extras in the background, you will see they make sure to attack Bruce one at a time. Another movie that comes to mind is the old 1990s Teenage Mutant Ninja Turtles movie. When they're in Shredder's hideout, the Foot Clan soldiers in the background just stand around flipping their weapons. Let's be real, it has to be this way. If twelve dudes actually attacked a single fighter all at the same time, even the best martial artist would crumple like a paper bag.
Staying Unconscious for Hours
Tell me if this sounds familiar. You are watching a movie, and our protagonist is on some secret mission where he has to remain unseen and unheard. He sneaks up behind a guard and puts him in a choke hold. The guy struggles for a second, then passes out. Our hero gently lays him to the ground and just like that we don't have to worry about that guard anymore. A rear naked choke will generally render someone unconscious in three to ten seconds, but they also wake up within seconds of you releasing the choke. There is usually a minute or two of confusion on the part of the person who had been choked unconscious as they wake up, but overall, they will be up and back to normal relatively quickly.
Similar to this is when our hero gets captured. He is often hit in the head and wakes up in a new location like a jail cell or tied up in a chair. If you were ever hit so hard that you were unconscious for hours, your brain would not be working well enough for you to continue your mission, have a witty conversation with your interrogator, or escape a jail cell. Most people wake up very quickly after being knocked out. By quickly, I mean within seconds. If someone gets hit, and stays down, then they need immediate medical attention and might even die.
The Sound Punches Make
Real punches don't make low base filled booms, or bone crunching snaps. In reality they sound more like clapping your hands together. Which would not be very exciting for movies. The film maker wants the hits to have an impact. This makes the fight scenes more exciting and makes the fight feel like it has higher stakes. But it would be funny to see an edit of the matrix where all the hits sounded like high pitched slaps.
Becoming Good at Fighting Over a Short Time
In the Karate Kid, Daniel-son wins a Karate tournament after only about six or seven months of honestly questionable training. Mr. Miyagi’s training methods aside, six months is hardly enough time to learn the bare bones basics of any martial art, not to mention one as complex as karate. Then he goes on to beat a black belt who, I assume, had been training for years. Not very likely. This happens a lot in movies, where the good guy gets his butt whooped. Then has a training montage, and just like that he can fight.
As a professional martial arts teacher, one of the more frustrating calls I receive is for last minute self defense training. The caller will tell me they are moving to a different country in three weeks and want to learn some martial arts to protect themselves. It always breaks my heart when I have to break it to them that that's not really enough time to achieve their goal. I can never be sure, but I wonder how this one movie trope has created an unrealistic expectation in the general public's view on how quickly you can develop true martial ability.
The Second Wind
This is by far the silliest thing that movies get wrong about fighting. Let me lay out the scene for you. Our hero is in a boxing match, really getting the screws put to him. He is bloody, tired, and beaten. He is down for the count about to give up when he looks up and sees his girl cheering him on from the crowd. Suddenly the music swells as he gets up in slow motion as he summons the resolve to keep on fighting. Not only does he keep on fighting, but he is magically better than he ever was. He beats the snot out of his foe and gets the girl in the end. Damn, that's badass. . . and full of it.
You don’t really get a second wind in a fight. You only have so much cardio and can only take so much damage before your body gives out. Some people think they have experienced a second wind, but that is actually the feeling of your body shutting down. As you get more tired, your body will start shutting down various faculties to conserve energy. When you get tired enough, your body will shut down the part of your brain that tells you that you're tired. Thus, the illusion of a second wind. But it is just that, an illusion. In reality, your body is still tired and broken and will not perform any better than it did a few seconds ago.
In Conclusion
In all honesty, none of these so-called mistakes bother me. In fact, I love them. I see how they are necessary to keep the plot moving forward or make a fight scene more engaging. In reality fights are short, ugly, and have long term consequences. None of which is great for the silver screen. The goal of a good fight scene has never been to be realistic, it's to be awesome, inspirational, or exciting. What film makers know that we often forget is this: No one wants to pay for reality.